Donald Trump And The Media – On Immigration, Two Sides Of The Same Extremist Coin

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The American people support stronger immigration controls but disapprove of their government’s inhumane practice of separating child migrants from their asylum-seeking parents. For an increasingly partisan media which now all but explicitly advocates for open borders, this compassion tempered with a desire to uphold the rule of law and defend national borders simply does not compute.

One of the traits of some accomplished liars is the fact that they are able to make themselves believe their own deceptions. This ability to convince oneself of one’s own lies is what makes many pathological liars so effective, but even many people who are not pathological liars can come to “misremember” certain events after decades of repeating a particular narrative – see any celebrity or political autobiography for abundant evidence.

We see the same thing happening now with many in the political and media elite as they struggle to understand public attitudes toward immigration in light of the Trump administration’s botched family separation of illegal entrant asylum seekers policy. An increasing number of commentators are struggling to reconcile widespread public outrage at the present situation impacting detained child asylum seekers with the known fact that many people favour stricter immigration controls and lower overall levels of immigration.

Having spent so long deliberately conflating all kinds of immigration – legal and illegal, economic migration and asylum seeking – for political purposes which are as obvious as they are overtly manipulative, many opinion-setters fail to realise that the public still hold a more nuanced view of the issue. It suits the purposes of tacit open borders supporters in the media to refer to everyone as “immigrants” regardless of whether they cross the border legally or not, or whether they move for economic advantage or to flee imminent danger to their lives, because they can then portray anyone who expresses the slightest equivocation about illegal immigration or abuse of the asylum process as being hostile to immigrants in general.

But after years of making this deliberate conflation it now seems as though many politicians and activist journalists have come to believe their own propaganda – that all immigrants are one and the same – to the extent that it causes confusion and cognitive dissonance when voters persist in seeing these categories as distinct classes of migrant requiring a customised response rather than a blanket one, more generous in some cases and stricter in others.

The latest example of this cognitive dissonance comes in an article by academic and author Yascha Mounk for Slate, in which Mounk presents the fact that Americans both oppose Trump’s draconian family separation policy while still supporting stricter immigration control as some kind of stunning discovery. Mounk is a perceptive author willing to acknowledge some of the failings of his own side, as I point out in my review of his recent book “The People vs Democracy”, but his ideological blind spot on the subject of illegal immigration is acute.

Celebrating the Trump administration’s apparent climbdown over detaining asylum seeking children separately from their parents, Mounk marvels:

Though it has so far gone largely unnoticed, the last few days have also demonstrated something else: that the fronts in the fight about immigration in the United States—and across much of the western world—are much less clear-cut than commentators usually assume.

It would be tempting to characterize the high-voltage fights about immigration, integration, and refugees that have emerged over the past years in countries from Italy to Britain and from Germany to the United States as a simple clash between left and right; between the advocates of an open and of a closed society; or, most simply, between the compassionate and the bigoted. Given the evident cruelty of the policies pursued by the Trump administration, as well as the way in which immigration reform has become the object of a determined partisan fight between Democrats and Republicans, there is obviously some truth to that view. But the deeper you dig, the harder it is to avoid the conclusion that the most important split about immigration does not run between different camps—but pits competing instincts against each other within the souls of most citizens.

The only people tempted to characterise the immigration debate as a fight between open and closed, compassionate and bigoted, are the left-leaning political commentariat who marinate in ideological groupthink and who were so detached from the country on which they report that they utterly failed to anticipate the appeal of Donald Trump’s presidential campaign. And the only bigotry here is the sanctimonious assumption, nearly uniformly held by the media class, that any qualms about unrestricted immigration or desire for border enforcement amounts to an absence of compassion.

One doesn’t know whether to be insulted at Mounk’s next realisation or simply grateful that a mainstream opinion-setter has finally acknowledged the obvious:

The country is deeply divided about the overall level of immigration. But in virtually all polls, more Americans seek to decrease than to increase immigration. And even when they are asked whether they would like to halve current immigration levels, 48 percent favored such a drastic reduction, with 39 percent opposed.

But if the desire to curb migration and secure the border runs deep in most countries, so too does the popular revulsion at state cruelty against immigrants. In fact, while ordinary citizens have, in many countries, rebelled against traditional political elites in part because they don’t trust them to take robust measures to curb immigration, they are also surprisingly willing to punish governments that do take extreme measures to keep out refugees or illegal immigrants. In the United States, for example, four out of five Americans oppose the revocation of protections for the so-called DACA kids, undocumented immigrants who were brought to the country by their parents when they were children. And according to polls taken in recent days, two out of three reject the Trump administration’s recent practice of separating parents from their children.

One might think that this fact – that the great mass of public opinion favours “robust” measures to curb illegal immigration but rejects “extreme” measures – would have guided politicians toward an equitable compromise involving compassion toward those illegal immigrants already in the United States leading productive lives while taking a stricter stance on border security and enforcement measures against future illegal immigrants. But of course no such compromise has even been entertained, not least because a vast swathe of the American Left has quietly moved toward a de facto open borders position whereby any opposition to illegal immigration is painted as tantamount to racism, though at present they lack the courage to openly declare for open borders.

Indeed, the actions of the Left speak louder than their words, inasmuch as they routinely oppose any “future enforcement for present amnesty” deal, denouncing such enforcement proposals as inherently racist and thus revealing that when push comes to shove, they care far more about securing the uninterrupted future flow of illegal immigrants than securing the status and alleviating the plight of current illegal immigrants. This fact is never picked up by mainstream commentators from the left to the respectable centre, because it so closely aligns to prevailing opinion among elites that it is considered unremarkable and unworthy of comment.

Still, Mounk marvels at the fact that Americans can be so heartless as to oppose de facto open borders but still hold a sufficient shred of decency that they oppose detaining children indefinitely in cages:

It is this tension between a desire to curb migration and an aversion to do so by cruel means that helps to explain the radical swings in public mood we have witnessed in country after country. In the United States, it is clear that Trump’s virulent stance against immigration has done more than just about anything else to get him elected: It was his denigration of Mexican-Americans and his promise to build a wall that set him apart from other candidates for the Republican nomination and turned out much of his base on election day. And yet, the events of the past week also make clear that some of the very same people who favor real curbs on migration, and might even cheer the idea of some kind of wall on large parts of the southern border, will not stand for the separation of children from their parents. When Trump overplayed his hand, the backlash was surprisingly broad, strong and swift.

It is genuinely concerning that this self-evident truth should be so remarkable to opinion-setting elites that it merits a breathless explanatory article by Yascha Mounk in Slate magazine. This much should be obvious to anyone with a brain, but the political and media elites are so used to promoting the idea that all types of migration are equally virtuous and that opposition to (or ambivalence about) any one of them is a sign of moral turpitude that it simply does not compute in their minds when the American people are angry at continual flouting of the national border but simultaneously aghast at the indefinite detention of child asylum seekers separated from their parents.

“After all”, the thought process of these commentators must go, “anyone so bigoted as to object to uncontrolled immigration must also want those detained illegally crossing the border to be treated in the harshest, most cruel way possible”. And then when it turns out that American voters do not feel this way and are not the monsters they are portrayed as on MSNBC or the Op-Ed pages of the New York Times, it provokes widespread confusion among the people who are supposed to represent our cognitive and social elite.

Mounk then points to the Windrush scandal in Britain, in which the UK government deported or attempted to deport many post-war Commonwealth immigrants who had every right to reside in the UK but lacked the paperwork to prove it, out of a desperate desire to hit an unrealistic and foolishly-offered net immigration target:

If Trump is currently experiencing a bit of whiplash, it is a feeling with which politicians in other developed democracies are intimately familiar. In the United Kingdom, for example, Conservatives have long won elections on their promise to restrict immigration to the “tens of thousands.” Theresa May’s hardline stance as home secretary was one of the main reasons why she was popular enough to ascend to the top job in the wake of the Brexit referendum. But when it became clear that her government had tried to deport members of the so-called Windrush Generation— migrants from Commonwealth countries who had been invited to come to Britain in the wake of World War II to fill labor market shortages but never received formal documentation of their immigration status—there was massive public outrage. To appease widespread anger, May had to reverse her policy and to sack Amber Rudd, her successor as home secretary and a close political ally.

Again, the backlash against the unfair harassment of Windrush generation immigrants is treated as something surprising, as though it is somehow remarkable that the cold-hearted British people who want greater control over immigration might also have compassion for those unfairly targeted or harshly treated by their incompetent government.

Mounk accounts for this cognitive dissonance by asserting, without evidence, that the seeming compromise which voters seek – roughly characterised as compassion for current illegal immigrants but stricter enforcement of the border in future – is somehow unrealistic:

The problem with this set of preferences is not so much that it is immoral as that it is impracticable. Since many people are understandably desperate to flee the violence, persecution, and poverty they experience in countries like Syria, Congo, or Honduras, they are willing to go to extreme ends to make it to a place that promises a better life. But that also means that it takes extreme measures to eliminate the incentive to cross borders, or to identify and deport those people who do.

And that is also why so many people on both sides of this debate are conspiring to sustain subtly different versions of the same noble myth: The moderate left mostly talks about avoiding cruelty while the moderate right mostly talks about keeping people out. But both pretend that it is possible to reduce the number of refugees and undocumented immigrants without stooping to the kind of cruelty and violence that most citizens will find hard to bear.

And there is an element of truth to this – at some point, enforcing border security means getting tough with people who flout immigration law and illegal cross the border in future, and this getting tough will inevitably involve detentions or deportations. Mounk calls this “intolerable”, because he writes from the perspective of elitist groupthink which now holds that any immigration enforcement is evil. The great mass of American voters likely disagree, however, and believe that the rule of law requires that lawbreakers are stopped and punished, while carving out generous exceptions for those who were brought to the United States as children or who have lived as model (undocumented) citizens for many years. There is room for compromise here, but because Mounk adopts the extremist position newly taken by many elites (only in the past few years have Democrats found it impossible to even mention immigration enforcement), he finds it exquisitely uncomfortable.

But in truth, the only thing shocking here is that people are shocked – that people who present themselves as experts in policy, political science or analysis are somehow dumbstuck that American voters can simultaneously disapprove of illegal immigration while also disapproving of inhumane treatment of illegal immigrants. Such ignorance is only possible when the political and journalistic elite, the people who set the narrative and write the histories, are sealed in such an airtight ideological bubble of their own making that they have come to believe their own propaganda about detractors of illegal immigration.

To the man on the street, this is simply common sense: Don’t deport the schoolteacher and mother of three children who has lived and contributed to her community for years, deal fairly and swiftly with new asylum claims while preserving family unity and deport those immigrants who commit crimes or who continue to try to enter illegally once some form of amnesty has been passed. The only extremism on display is that of many political elites who happily embrace the carrot while refusing to wield the stick.

Policy-wise, the overlooked extremism in politics comes from a subset of the Democratic Party who have fallen under the spell of activists for whom no immigration or border enforcement will ever be acceptable. So tight a hold does this dogma now have on much of the media and the political class, and so faithfully do many of its members propagate the same worldview, that any collision with reality – with normal Americans who are both compassionate and supporters of the rule of law – comes as a confounding, inexplicable shock.

Quite how the political and media elites can work themselves out of the extreme position of tacitly supporting open borders in which they now find themselves without losing face or being toppled by angry subordinates, I cannot say. It is far from certain that many of them even realise that they have become the extremists, though the more reflective conclusion of Yascha Mounk’s article suggests a glimmer of recognition that the Left’s current puppies and rainbows approach to immigration is not sustainable.

But when esteemed academics and political analysts find themselves shocked at the inherent reasonableness of the American people on the subject of immigration, viewing their pragmatism as “schizophrenia” rather than sanity, it suggests a persistent detachment and divide which urgently needs to be acknowledged and repaired if this country is to knit itself back together in the wake of our present Trumpian schism.

 

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The Pro-EU Artistic Bubble Goes From Pitiful To Sinister

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European artists prepare to “act for democracy” by deploying their talents to subvert democracy in the service of European political union

Having been spat out of the British educational system knowing virtually nothing of history, classical music came to serve as the primary window through which I discovered nearly everything I now know, love or am fascinated about culture, art and history.

For instance, after discovering the music of Dmitri Shostakovich and learning about the composer’s life working under threat from the Soviet state, I came to appreciate with horror the inevitable toll taken by authoritarian communist governments on the psyche and artistic output of composers striving (under orders) to produce works reflective of socialist realism. Indeed, knowing its history, who can listen to the opening Nocturne from Shostakovich’s first violin concerto and not feel a chill reflecting on the circumstances in which it was written, and then suppressed until the death of Joseph Stalin?

Perhaps naively, from then onward I always believed that a healthy artistic community was one which kept government firmly at arm’s length, which at its best sought to challenge prevailing dogmas and policies, or at the very least refrained from acting as a willing shill, promoting establishment doctrine. Though more democratic countries have also blurred the line between artistic expression and government policy – one might think of the Public Works of Art project during depression-era America – participation is typically voluntary and the messages generally far less scripted.

How wrong I was. It should be evident to anyone with a functioning neocortex that the contemporary artistic community in Britain in particular (and the West more generally) long ago gave up any desire to seek truth or offend establishment sensibilities, opting instead for fawning repetition of modern centrist orthodoxy and acts of ostentatious virtue-signalling intended to flaunt an artist’s holding of the “correct” views. Witness superstar Lorde’s oh-so right-on cancellation of her concerts in Israel and call for a cultural boycott (while happily continuing to perform in other countries such as Russia). Even so recently as the 1980s, major stars were willing to court controversy or take a stand against official policy – witness Paul Simon’s concerts in apartheid-era South Africa – but such independence of mind seems almost entirely absent from today’s artists.

Indeed, since country group The Dixie Chicks torpedoed their career by denouncing the Iraq War during a London concert, later issuing an humiliating apology under duress, few artists (popular or otherwise) have dared give voice to any heterodox opinion they may hold. When it comes to finding pop or rock stars willing to say kind things about Brexit, one has to turn to 1970s icons such as Morrissey or Sex Pistols frontman John Lydon – the younger generation of stars either subscribe to the holding-hands-beneath-a-rainbow view of enforced European political union or else maintain a fearful silence.

While the instinctive pro-EU bias within the arts world is well known, what still retains capacity to shock is the proactive willingness of some artists to proactively praise and promote the nascent European government. The European Union has form when it comes to holding competitions or doling out grants and awards contingent on the creation or performance of works of art flattering to its own self-image; that much is nothing new. However, we reach a new level of fawning servility when artists arrange the production of tributes to the EU of their own accord and with no direct financial inducement. Yet this is precisely what we are now witnessing:

An open call for ideas to re-brand the European Union has been issued by artist Wolfgang Tillmans and architect Rem Koolhaas. ‘The brief is to send us proposals for communicating the advantages of cooperation and friendship amongst people and nations,’ they write, adding: ‘We need messages, how the Union works and how life would be without it. And we need ideas how to challenge the organisation itself, how to make it better.’

Vocal pro-EU advocates Koolhaas and Tillmans are part of the group Eurolab which is participating in a four-day forum titled ‘Act for Democracy!’ taking place in Amsterdam from 31 May – 3 June: ‘Eurolab is a fact-finding mission of what went well and what went wrong in the last 25 years of communicating Europe’ their statement says.

‘Eurolab wants to collect ideas about how cooperation and solidarity can be spoken for in a fresh and compelling way to large audiences. How can the European Union be valued by its citizens and be recognized as a force for good, rather than as a faceless bureaucracy?’

If I were an artist, I would be ashamed to be associated with such tedious, worshipful bilge – not because it is supportive of the EU, but because the reasoning behind it is so dreadfully unoriginal and derived purely from well-worn establishment political talking points. Like the centrist politicians in Britain and the EU who were shocked by Brexit’s disruption of their normally-unchallenged worldview and smoothly planned-out pathway toward deeper political integration, so these artists think that the only problem with the European Union is a lack of effective branding.

They begin by regurgitating the asinine notion that opposition to the European Union inevitably means a rejection of the very idea of “cooperation and friendship amongst people”, which is as insulting as it is moronic. They go on to express a desire for more messaging about how the EU works, which is ironic since an understanding of the EU institutions and the history behind the push for ever-closer union is quite closely correlated with a healthy dislike of the entire project. Of course there is the obligatory throwaway line about challenging the EU to be better, but it is very clear from the project brief that its originators see public dissatisfaction with the EU as a function not of a flawed project or horrendously antidemocratic execution, but rather an ignorant, benighted population who lamentably fail to realise what a wonderful blessing the EU really is.

This is why pro-EU forces have utterly failed to regain the initiative in Britain and elsewhere – they are so utterly divorced from the broad stream of EU-agnostic sentiment within their countries that they truly believe that those who dislike the institutions of Brussels also reject the human values of cooperation and solidarity. Worse, they are so politically tone-deaf that they admit this publicly, seemingly without any idea how insulting it is to Brexit supporters and other opponents of the EU (and deleterious to their own goal of winning over public support).

The project’s sponsors are involved in the risibly-titled project “Act for Democracy!“, part of the Forum on European Culture, which seeks less to celebrate the rich cultural heritage of the various countries of Europe than invent ever-more tortured ways of pressing art into the service of agitating for continental political union.

The event’s programme includes such gems as:

A 4-day Eurolab during which initiators Wolfgang TillmansRem Koolhaas and Stephan Petermann will make a start to rebrand Europe.

A unique Spoken Beat Concert with two artists from across the Channel: Madi Maxwell-Libby & Jacob Sam-La Rose.

Debate programmes in which we come to the core of populism across Europe. With among others Jan-Werner MüllerUlrike Guerot and Flavia Kleiner

The centrepiece of the whole event seems to be a symposium laughably called “An Independent Mind” in which exclusively pro-EU essays are discussed and celebrated ad nauseam.

A more saccharine, groupthink-infused circle-jerk you could not imagine. These creative types are gathering with pre-ordained conclusions in mind, based on the crudest and most insulting caricatures of their opponents, with the plan of using their diverse talents in service of a childishly naive conception of what the EU actually is and what it represents.

But all of that is fine compared to the fact that they are gathering under the banner of supporting democracy when in fact their entire movement is an upper middle-class, elitist howl of outrage at popular disillusionment with the European project. They are effectively adopting the classic Karl Rove-ian tactic – where George W. Bush’s hatchet man guided his candidate to success by successfully accusing W’s opponents of his own glaring weaknesses, these pro-EU artists do the inverse, claiming possession of the very virtue (support for democracy) which they are desperately seeking to corrupt.

Particularly disconcerting is the self-chastising tone of the project’s announcement, in which Tillmans and Koolhaas come close to outright suggesting that it is A) the job of artists to serve as organs of the state and that B) they failed in that duty by proselytising for European political union with insufficient vigor.

This resembles nothing so much as the fawning forced apology given by Shostakovich following the communist party’s denunciation of his opera “Lady Macbeth”, entitled “A Soviet Artist’s Response To Justified Criticism”, with one key exception – nobody is making these artists do anything. They choose to exalt the supranational European government they so adore of their own volition. How much more debased is this?

More fundamentally – do artists have a responsibility to speak truth to power as a cacophany of different voices questioning the existing orthodoxy, or to cheerlead for the status quo? Should they produce works of art or sleazy government commercials? Tillmans and Koolhaas make their position quite clear:

In workshops and interview sessions we aim to compile a comprehensive toolbox of arguments, strategies, and ideas that can be applied to campaigns across different demographics and used by different professional groups (e.g. ‘Teachers for Europe’ ‘Scientists for Europe’ ‘Farmers for Europe’).

This is literally a project to brainstorm and create propaganda. What self-respecting artist talks of their work process as one of creating “toolboxes” and “strategies” for the use of astroturf political campaign groups? None. This is the language of marketing professionals or management consultants, not aesthetes or artisans.

Yet while these die-hard activists may not yet represent the broader artistic community, with vanishingly few exceptions (see the heretical new group Artists for Brexit) they all share the same unthinking, instinctive pro-EU impulse. The difference between your average pro-EU orchestral conductor, pop singer or modern artist and the people who will shortly be assembling in Amsterdam to create pro-Brussels communications strategies is one of degree, not kind.

If European artists want to deploy their talents to promote supranational government then it is their prerogative. I may find it distasteful, but it is certainly well within their rights. What is upsetting is the lack of fresh, critical thinking they seem to bring to bear to the question of European political union, instead either parroting simplistic pro-EU political talking points or else challenging themselves to come up with their own propaganda pieces.

And I can’t help thinking that legions of brave artists whose works were suppressed and lives disrupted because of an unhealthily close relationship between arts and government throughout history are turning over in their graves at the willingness of their latter-day colleagues to do this work of glorification unbidden and uncoerced.

 

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Stephen Hawking vs Jeremy Hunt: The Insidious Cult Of The NHS

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Stephen Hawking vs Jeremy Hunt, a beloved national treasure going up against somebody who actually knows a thing or two about healthcare systems – in NHS-worshipping Britain, this could only end one way

If your car breaks down in the middle of the desert, who would you rather have come to your aid – the world’s most famous and accomplished concert pianist, or a fully equipped mechanic with a bit of a bad reputation?

Unless you particularly want to die of dehydration amid the sand dunes you pick the dodgy mechanic every time. At least he has some experience with the subject matter at hand, after all. And would you listen to angry protestations from other people who said that the concert pianist was equally entitled to tinker with your car, just because he has been driven around in many cars throughout his career? Of course not. Making use of the functions of an automobile is not the same as understanding how a vehicle works or being able to diagnose technical faults with the engine.

And yet as soon as the national conversation turns toward Our Blessed NHS, this kind of common sense goes out the window. So desperate are many British people to receive confirmation bias-affirming propaganda about “Our NHS” that when theoretical physicist Stephen Hawking got into a debate with Health Secretary Jeremy Hunt on the subject of healthcare, people essentially chose the concert pianist over the mechanic. Proudly and unequivocally.

This is the mental poison spread by the Cult of the NHS. It warps thinking, is impervious to reason and transforms what should be a measured, rational and unemotional debate about how best to provide healthcare services to a country of 70 million people into a frenzied orgy of emotionalism and unconditional praise for government bureaucracy, combined with a seething intolerance of anybody who dares to question the status quo.

Most unbecoming for a scientist, Stephen Hawking leaned heavily on emotional rather than empirical arguments to make his case, writing in the Guardian:

Like many people, I have personal experience of the NHS. In my case, medical care, personal life and scientific life are all intertwined. I have received a large amount of high-quality NHS treatment and would not be here today if it were not for the service.

The care I have received since being diagnosed with motor neurone disease as a student in 1962 has enabled me to live my life as I want, and to contribute to major advances in our understanding of the universe. In July I celebrated my 75th birthday with an international science conference in Cambridge. I still have a full-time job as director of research at the Centre for Theoretical Cosmology and, with two colleagues, am soon to publish another scientific paper on quantum black holes.

Whereas in France, Germany, Australia, Canada or Japan he would have been left to die in the street? This is misleading, emotionally manipulative balderdash of the first order. Newsflash, Stephen Hawking – the NHS did not save your life. Doctors and nurses and technicians and administrators did. And all of these professions can be found outside of our own creaking nationalised healthcare system.

Universal healthcare and treatment free at the point of use are not innovations unique to the United Kingdom. Other countries manage to do it too, using a variety of different delivery models – many of which achieve better healthcare outcomes (ultimately the only thing that matters to patients) than Our Blessed NHS.

And Stephen Hawking knows this full well. Yet he is happy to take advantage of the British public’s sentimentality for the NHS and lack of awareness of healthcare in other countries to create a false impression that motor neurone disease patients such as himself – indeed, people suffering from any disease or injury – are somehow left to die on the street in other countries, and that it is only in socialist Britain that people enjoy modern healthcare. This is the kind of dishonesty and low skulduggery that belongs in the field of politics, not science. Hawking should be ashamed of himself.

But he isn’t done yet. He continues:

Last year my personal experience of the NHS and my scientific life came together when I co-signed a letter calling for healthcare policy to be based on peer-reviewed research and proper evidence. The specific issue addressed in the letter was the “weekend effect”. Jeremy Hunt, the health secretary, had claimed that thousands of patients died unnecessarily because of poor hospital care at the weekend, and used this to argue that we needed to implement a seven-day NHS. I had mixed feelings about the issue. Having spent a lot of time in hospital, I would like there to be more services available at weekends. Also, it seems possible that some patients spend more time in hospital than is necessary because certain diagnostic tests can only be done on weekdays.

However, as we showed in the letter, Hunt had cherry-picked research to justify his argument. For a scientist, cherry-picking evidence is unacceptable. When public figures abuse scientific argument, citing some studies but suppressing others to justify policies they want to implement for other reasons, it debases scientific culture. One consequence of this sort of behaviour is that it leads ordinary people to not trust science at a time when scientific research and progress are more important than ever.

Yes, we wouldn’t want to cherry pick evidence now, would we Stephen? Like resolutely pretending that the only alternative to the NHS is “a US-style insurance system”, conveniently ignoring the wealth of other examples out there?

But even more asinine than this is Hawking’s assertion that healthcare policy should be based on “peer-reviewed research and proper evidence”. This is all well and good as far as it goes, but we are talking about designing complex human organisations here, not conducting a controlled physics experiment.

The only peer-reviewed research and evidence that can possibly be brought to bear on the question of how to design an optimal healthcare system for a medium-sized advanced economy will come from the social sciences, which are inexact and often unquantifiable by their very nature. What’s more, in academia the social sciences are populated almost exclusively by leftists and are effectively locked into a self-perpetuating purity spiral. When there is no diversity of perspective or political thought in the field, how can one have the slightest confidence in the outcome of the resulting studies?

Do you really think that scientists check their political opinions at the door of the library or laboratory? If so, where were all the economists during the EU referendum declaring in TV interviews that Brexit might be bad for the economy but still worthwhile overall? They were nonexistent. Why? Because they all started from a place of liking the European Union and wanting Britain to remain a member. Facts and evidence which contradicted this desired outcome were determinedly pushed aside, again and again.

Oliver Norgrove gets it right on this point:

The other issue I have with Professor Hawking’s comments is that they essentially capture the nauseating emotional connection that Brits have with healthcare provision. It is odd because healthcare needs are, by their very nature, private and oughtn’t represent bargaining chips for politicians at election time. ‘Groupthink’ surrounding the NHS is rife and poisonous. I particularly loathe the term ‘our NHS’. In using it we promote unhealthy tribalism, which blockades against meaningful debate about how we improve a stagnant system of healthcare. Diluting this poisonous emotional attachment is perhaps the first step to achieving a market-based system, similar to those seen all around the continent.

Notice also the reliance upon using the American healthcare system as some kind of stick with which to beat free marketeers in Britain. It is as if there are only two structures globally, and we must protect one from becoming the other. Professor Hawking, a clever man, knows full well that by instigating comparison with the United States he can more aptly generate support for the maintenance of the NHS. Which I believe, given changes to demographics, life-expectancy and population-induced strains, is bad for our healthcare outlook.

Increasingly, academics believe that, almost by right, they are entitled to transfer their authority in a particular field to other fields, often for the sake of making noise and boosting their own public profile. This became especially apparent during Britain’s referendum on European Union membership. Of course, I am not saying that academics should not have the right to speak and be heard. Nobody values the importance of free speech more than I do. The issue is that by association alone they are afforded disproportionate exposure and their words a special (and often unwarranted) significance. This is damaging to debate as it promotes laziness and useless conventional wisdom.

And besides, Stephen Hawking doesn’t really want to design an optimal healthcare system. No, he is attached to the present system for emotional reasons, and is busy corralling facts and figures which confirm his own biases and preferences. A rational scientist would start with a blank sheet of paper, not a crayon drawing of the NHS logo with girlish hearts scribbled all around it, à la Hawking.

Yet Hawking preposterously claims to be a dispassionate observer in all this:

A physicist like me analyses a system in terms of levels of approximation. To a first approximation, one can see the situation facing healthcare in this country in terms of forces with different interests.

Quite. So let’s talk about the NHS Industrial Complex, that byzantine and interconnected web of special interests from pharma companies to suppliers to logistics providers to medical schools to clinical staff on the taxpayer dollar, to the army of administrators and bureaucrats required to run what is – astonishingly – the fifth largest employer on the face of the Earth. All of these actors have a vested interest in the current system perpetuating itself – it’s how they get their pay cheques and make their profits. Disruption to steady-state operations is therefore unwelcome and to be resisted at all costs, even if there are potential windfalls for patients.

But these are not the malevolent forces that Stephen Hawking wishes to discuss. He wants to go on a generic leftist rant about the “multinational corporations, driven by their profit motive” – forgetting that the profit motive he so despises helped to spur the development of many drugs and healthcare technologies which save lives every day. He also takes the economically illiterate view that there is a fixed amount of money in the economy and healthcare system, and that shareholder profit necessarily means less funding available on the front line. This is nonsense, as any sixth-form economics student could have explained.

Hawking ends his cri de coeur with this rousing message:

If that all sounds political, that is because the NHS has always been political. It was set up in the face of political opposition. It is Britain’s finest public service and a cornerstone of our society, something that binds us together. People value the NHS, and are proud that we treat everyone equally when they are sick. The NHS brings out the best in us. We cannot lose it.

Isn’t it funny that if you want to make an establishment leftist sound like a frothing-at-the-mouth Ukipper all you have to do is whisper the letters “NHS”, at which point they will immediately start ranting about British culture and values, the importance of our unique island history and our unquestioned superiority over every other country.

And yet we see smug, superior headlines from the likes of the Independent, sardonically declaring “It’s brave of Hawking to take on an intellect like Hunt“, as though Stephen Hawking’s brilliance when it comes to physics somehow automatically translates to the complex political and organisational considerations involved in healthcare reform. This is basic, superficial thinking of the first order – and yet nearly every newspaper clapped along like trained seals, without stopping to think whether Hawking really has any credentials to be pontificating on the future of the NHS. He doesn’t.

Stephen Hawking is little more than an NHS Ukipper, with no more right to meddle in British healthcare reform than your garden variety Ukipper should be allowed to go up against Michel Barnier in the Brexit negotiations. But his ignorance and emotional manipulation are given cover by a bovine public raised to worship the NHS unquestioningly, and by a sycophantic media who prefer to make smartass headlines about Jeremy Hunt’s intellectual deficit rather than stopping to question who makes the better argument.

And as it happens, both men are wrong. Stephen Hawking is busy trying to reanimate the mortal remains of Aneurin Bevan, while Jeremy Hunt is tinkering around the edges of a failing system which needs redesigning from the ground up.

This is what passes for a debate about healthcare reform in this country, and the cost of all the virtue-signalling, NHS-worship and half-hearted reforms can be counted in human lives.

 

Stephen Hawking - Jeremy Hunt - NHS debate

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What European Identity? Part 2 – Classical Music Edition

European Union Youth Orchestra

How can we possibly continue to enjoy Beethoven or watch touring European orchestras perform in evil, isolationist Brexit Britain?

Today’s Peak Guardian article is an account of an interview recently given by the legendary pianist/conductor Vladimir Ashkenazy to the Observer newspaper, in which Ashkenazy urges classical musicians to “keep up British links with Europe in the face of Brexit”.

A distilled summary of the Guardian’s breathless spin: Brexit gravely threatens Britain’s continued participation in the international arts and culture scene, but if enough brave musicians come together in a spirit of cooperation then it may be possible to ride out the gravest threat to Europe since World War 2 and the Cold War.

From the piece:

Vladimir Ashkenazy, one of the most revered figures in classical music, has called on musicians to strive to keep up British links with Europe in the face of Brexit. The great Russian conductor and pianist, who made his name as a soloist in the 1960s and 70s, spoke passionately to the Observer about his continued faith in European culture.

“Music will win in the end,” he said, speaking publicly on the subject for the first time. “After all, music is not just an exercise in making sounds. It is a reflection of our joint spiritual endeavours.”

Comparing Britain’s impending split with Europe to other political schisms of the 20th century, such as the rise of fascism and the cold war, Ashkenazy, 79, said he was optimistic that those who love making music together will find a way to keep connections going across the Channel. “I am sorry about it, and I know it will be difficult to get used to a totally different situation, but for musicians many things will remain the same, simply because we will work to find a way to make agreements for the sake of music,” he said.

Many British classical musicians expect Brexit to set up new travel barriers and present fresh difficulties for orchestras receiving EU funding. The potential threat to free travel for working musicians has already prompted the European Union Baroque Orchestra to announce a move to Belgium this summer. It has been based in Oxfordshire since 1985. Meanwhile, the well-regarded European Union Youth Orchestra (EUYO) is considering a move to the continent after 40 years in Britain.

Of course, this feeds nicely into the Guardian’s (and the entire British metro-Left’s) little conceit that by extricating ourselves from a dysfunctional and failing supranational political union we are also somehow hacking away at the cultural and historical ties which bind us to the continent, and so naturally they seize on the Ashkenazy interview as a perfect example of how enlightened artists can help to save Britain from the brutish and self-destructive decision made by the Evil 52%.

Now, Vladimir Ashkenazy is not particularly to blame for any of this. If you want somebody to play a Rachmaninov prelude in such a dazzling way that it makes your hair stand on end and brings a lump to your throat then Ashkenazy is your very man. If, however, you want somebody to give you a good overview of geopolitics and assess the relative failings and merits of the European Union, then you are probably better off turning to someone else. So the point is not that Ashkenazy is wrong (and even he is generous enough to admit that Brexit is slightly less evil than Soviet communism, which is very kind) – that much is entirely forgivable, given that he is operating far from his natural competencies.

No, the problem is the entirely predictable way that the Guardian picks up this narrative and unquestioningly burnishes and amplifies it without stopping even for a moment to consider the validity of the point being made. Where they could take a step back and actually seek to educate their readers about a whole bunch of issues touching on this story, instead they strut and pose and play to the gallery, feeding them the self-affirming story that they expect rather than the hard dose of reality that they might actually benefit from hearing.

The Guardian could have dwelled for a moment on exactly why cross-border co-operation in classical music is supposedly imperilled by Brexit (giving more concrete examples than the unspoken and unprovable suggestion that Britain would deliberately make it harder for talented musicians to tour or work here). But instead, they uncritically write about how musicians will bravely “find a way to keep connections going across the Channel” without stopping for a moment to consider the fact that British orchestras and ensembles tour numerous non-EU countries in the world without the protective shelter of political union, while many non-European ensembles somehow make it to the BBC Proms and give numerous other performances in Britain despite their musicians lacking EU passports.

But the ulterior motive soon becomes clear when the article bemoans the relocation of the European Union Baroque Orchestra and the European Union Youth Orchestra, two EU propaganda outlets funded by taxpayers to instil in us a sense of European identity which still stubbornly fails to materialise. In London, with so many preeminent ensembles already located here, did we ever really need these two explicitly political additions to our cultural scene? No, of course not – and the Guardian’s duplicitous attempts to upgrade these obscure ensembles to “major orchestra” status is straining the boundary of journalistic integrity. Their sole purpose was to indoctrinate the young and cause us to associate the European Union with benevolent funding of the arts rather than their tawdry, relentless attacks the nation state.

(The EU Baroque Orchestra has a slightly more successful legacy of seeding other baroque ensembles with past alumni, work which can continue in their new Belgian home.)

None of this is to deny the value of youth orchestras – I was a member of one myself for several years, and greatly enjoyed the opportunities for performance and collaboration that it afforded me – but the EU’s propaganda outlets are neither central to the British classical music scene nor an essential bridge to Europe. Take them away and nothing really changes.

Compare the EU’s musical propaganda outlets with a far more worthy exercise in cross-cultural bridge-building, Daniel Barenboim’s West–Eastern Divan Orchestra, and I know which I would rather preserve – the one which seeks to promote peace and cross-cultural understanding in the turbulent Middle East, not the one which uses European taxpayer funds to shore up a creaking, failing 1950s regional super-bloc.

The United States, by contrast, does not need to keep itself together by funnelling federal money into youth orchestras in a desperate attempt to inculcate a sense of American-ness. And while many pertinent criticisms can be made about funding of the arts in America, it must also be acknowledged that many of the finest ensembles and artistic companies in the world – the Metropolitan Opera, the New York and Los Angeles Philharmonics, the New York City Ballet, as well as the feeder schools, companies and institutions which mould the next generation of artists – are based in the United States and do not have to suckle at the teat of taxpayer funding in order to survive.

When government does not try to do everything, private initiative and private philanthropy are often able to step in to do the job far more successfully and lavishly. They need only be given the space to do so – but the EU has no interest in getting out of the way and allowing the arts to flourish on their own, because then the results would not bear the imprimatur of Brussels and thus would have zero propaganda value.

Is the threat posed by Brexit to the European Union Youth Orchestra a good reason to scrap the whole endeavour and remain part of the EU? Of course not.

Has the European Union Youth Orchestra done anything to meaningfully shift the sense of European identity among those who are not directly involved, or the misty-eyed eurocrats who profaned Beethoven’s Ninth Symphony by co-opting the final movement as their anthem? No.

Does Britain’s departure from an explicitly political union necessarily or inevitably mean that artistic links between the United Kingdom and the continent must be weakened? No – or at least, the Guardian have given us no good cause to believe that there is a danger.

(Incidentally, Vladimir Ashkenazy himself lives in Switzerland, which is also famously not a member of the European Union, and yet seems to be able to maintain a fruitful international career including many concerts and residencies in Britain).

The whole Guardian article hangs together only if one is content to take the most superficial view of Brexit, skating around on the thin ice of metro-left shibboleths about how international cooperation and peace only exist thanks to the benevolent hand of Brussels. To take the threats spun from the Ashkenazy interview seriously, one must actually drink the Remainer Kool-Aid and believe that Brexit means isolationism, and in all its forms – economic, social, cultural. To be that cretinous, one must be an unapologetic bubble dweller, proud and stubborn in one’s ignorance of the opposing side.

But then that’s the Guardian for you: a newspaper tailor-made for poseurs who believe (or at least want to signal to their friends) that they already know and understand the nuances of every issue, and that the One True Way just conveniently happens to lean in the same stridently left-wing, pro-EU direction as their pre-existing beliefs.

Among Guardian journalists and readers alike there is zero intellectual appetite to actually get under the hood of any issue and talk about the meaning of democracy and self-determination, whether state funding or private philanthropy does a better job of funding the arts or any other substantial question that is ripe for debate. They just want to take a glib headline and serve it up as red meat to their metro-left, superficially culturally literate peer group (see last year’s uncritical, months-long homage to the NHS).

And so what could have been a useful jumping-off point for a real discussion about the future of the fine arts, the best way to foster cross-border co-operation and whether existing mechanisms of funding are a) effective, and b) a good use of taxpayer funds instead becomes just another wobbly-lipped ode to the Brave Artists Resisting Evil Brexit.

The only result of this “journalism” is that everyone is left slightly more attached to their pre-existing bias, while the opportunity to enrich the public discourse is squandered in favour of yet more left-wing, pro-EU virtue-signalling and alarmist Brexit catastrophisation.

Mission accomplished once again, Guardian. Great job.

 

Save EUYO - European Union Youth Orchestra - Propaganda

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No Amount Of ‘Education’ Will Make Sceptical Europeans Love The EU

What to do when the continent’s biggest military power and second-largest economy decides to leave your crumbling, tarnished and perennially unwanted supranational political union? Finally consider meaningful reforms? Engage in a sincere listening exercise? Devolve power back to nation states and local communities? Do anything, anything at all, to signal that the European Union might be something that works for the people rather than something which is done to them?

Of course not. When faced with incontrovertible evidence that citizens are starting to rebel en masse against the idea of shared sovereignty, dissolving borders and supranational government, clearly the correct thing to do is to declare that European citizens simply don’t understand the wonderful gift bequeathed to them, and then pledge to funnel more money towards their re-education.

From the Guardian:

The European commission will spend tens of millions more euros promoting the ideal of the EU citizen, in defiance of British ministers, under plans drawn up by officials in Brussels in the wake of the Brexit vote.

Officials for the European parliament claim there is now a clear need for a significant increase in spending on the Europe for Citizens (EFC) programme, which aims to foster the notion of an EU citizenry. The programme had its budget cut from €215m (£185m) to €185.5m (£159m) after a request from Britain in 2013.

“Considering the current political climate, in which an increasing number of citizens question the foundations of the EU, decisive action is indispensable,” an assessment of the programme by officials in the European parliament reports.

“It is for this reason that the reduction in funding for the EFC programme is a serious handicap to successful implementation: to reiterate, the budget for the current EFC programme is €185.5m (down from €215m under the previous programme), which amounts to merely 0.0171% of the EU multiannual financial framework.”

The aim of EFC is said to be that of developing “a better understanding” of the EU across all its member states, to fund remembrance events for key moments in European history and combat scepticism about the EU project.

The assessment document says that funding “which promotes and enables citizens to engage in European matters is of vital importance, especially in times when Euroscepticism is on the rise”.

This only emphasises the degree to which the European Union is an answer to a question which was never even asked. If the various peoples of Europe had gradually come to realise over the course of the 20th century that they shared such a common heritage of laws, language, culture and strategic interests that they wanted to institute a shared common government then the EU or something like it would have developed organically.

But of course no such thing happened – the idea of supranational political union was artificially imposed on European people largely by stealth and in secret over the course of many decades. And while many members of the European political elite get misty-eyed over the EU, the majority of its citizens tolerate rather than welcome this extra layer of government. The flag and the anthem are utterly meaningless to most of the EU’s 510 million citizens – the spine does not stiffen nor the heart quicken at the sight of the twelve stars or the strains of “Ode to Joy”. And unlike the American founding fathers, the secretive “founders” of the EU are unknown, unloved and languish in richly-deserved obscurity.

The hard truth for the euro-federalists is that no amount of money spent on “education” will make people fall in love with the European Union. Love of family, community and country is something which must well up from within; it cannot be successfully imposed by external agents. And likewise, if people do not feel instinctively European over and above their distinct national identities, a true European demos cannot be created – despite the best efforts of the European Union’s architects to defy both human nature and democracy.

Double the peak budget and spend another €215m on idealising the European Union and creating uncritical, misleading propaganda and it will still make no difference, save lining the pockets of opportunistic “cultural” and “artistic” parasites who will happily take taxpayer money to plaster the EU logo over their concerts, plays and workshops.

In other words, it is the perfect EU project. Just don’t expect it to make the slightest bit of difference to anything at all.

 

eu-europe-for-citizens-programme

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