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What European Identity?

Remainer paints EU flag on her face - European Union - Brexit

No, watching an arthouse movie twice a year doesn’t count

Pete North puts into rather forceful words a sentiment which inchoately bubbles up within me every time I see a tearful Remainer painting the EU flag on their face and weeping into an eagerly waiting television camera about how the cruel, racist vote for Brexit has somehow ripped their “European identity” away from them.

North scoffs:

For all that cretinous bilge from remainers about us Brexiteers “stealing my European identity”, I say bollocks. You have no European identity. It is a figment of your imagination. You weren’t watching [a] French cop show on Netflix last night were you? You didn’t go and see a Spanish superhero film at the cinema last week. You know more about US politics than you do about the EU. Culturally, militarily and politically we are Anglospheric. That is a fact.

For all that we have seen remainers amphibious with grief, I say go and look at the traffic jams and the behaviour of drivers in Rome or go and watch the Spanish torture a bull to death and tell me that your culture is in any way reflected in Europeans. That’s when I tell you to fuck right off.

If I have to pick an empire to be allied with, I choose the USA every single time. The land of The Wire, South Park, Rick and Morty, the First Amendment. The country that never needed any persuading that Communism is the manifestation of evil on earth.

Say what you like about Donald Trump, but Donald Trump is not America. Trump is for four years or so. Moreover, Trump is a good sign. Yes, he’s a brash, oafish wrecker but he was elected on the back of a total rejection of American leftism. That which has aggressively moved to bury all moral norms and free speech along with it.

This is why Trump is weakening relations with the EU. Ultimately the diseased politically correct establishment in the USA is the consequence of a detached and corrupt liberal elite. In that respect the USA is in a more advanced state of decay than the EU – but we should view it as a warning. The soft left political consensus of the EU, with its deeply ingrained NGOcracy is that same disease. Brexit is not Trump. Brexit means we avert having one of our own.

I concur wholeheartedly.

Ask a Remainer what their favourite television show is, and they are far more likely to cite an American show than a European one.

Ask a Remainer what their favourite movie is, and they are far more likely to cite something from Hollywood than a worthy-but-subtitled movie from France, Spain or Italy.

Ask a Remainer who their favourite pop music artist is, and they are far more likely to cite an American artist than a European one.

Ask a Remainer to name a political hero or inspiration and I would wager that they are far more likely to reach for Abraham Lincoln, Franklin Delano Roosevelt, John F Kennedy or Barack Obama than Jacques Chirac, Gerhard Schröder, Silvio Berlusconi or Angela Merkel.

Ask a Remainer to cite a famous legal case or decision from a jurisdiction other than their own, and they are far more likely to name a famous case from the US Supreme Court – Brown v Board of Education, Roe v Wade – than a case from the European courts, or those of any member state.

For that matter, look at our legal system of Common Law, which influenced the formation of the American legal system (in the original colonies through to the federal system) and which is markedly different to the civil law traditions prevalent on the continent.

There are exceptions, of course. There are some areas where Europe does exert a stronger gravitational pull over us than North America or the wider Anglosphere. But besides geographic proximity, they are few and far between. Those who claim that we are somehow predominantly “European” in culture tend to either do so from a position of wishful thinking, wanting to position us closer to European social democratic tradition because they wish that our politics would move further in that direction, or from the blinkered perspective of their own narrow social circles.

None of this is to claim that British people lack an affinity for Europe, have nothing in common with other European countries or are in any way hostile to European culture. Many Brits do have deep and abiding links with the continent, myself included – I have a deep and abiding affinity with France and the French culture and people dating back to my teenage years, but I am clear in my mind that this is a relationship nurtured with a culture distinct from and different to my own, not a mere extension of my own culture.

And anybody who seriously surveys the full sweep of cultural connections – legal, governmental, artistic, musical, touristic, commercial – and tries to tell you that the British people have more in common with mainland Europe than with our friends in the Anglosphere (particularly the United States and Canada) is deliberately trying to deceive you, and deluding themselves in the process.

 

People hold banners during a demonstration against Britain's decision to leave the European Union, in central London

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The Daily Mash’s Unhealthy, Obsessive Brexit Complex

Brexit Apocalypse 2 - albawhitewolf

The Daily Mash should spend less time going for cheap laughs about supposedly racist, nostalgic Brexiteers and more time using satire to hold real power and privilege to account

Along with countless other non-racist, non-xenophobic Brexiteers who enjoy a good bit of political comedy and satire, I have been waiting patiently for the current virulent outbreak of Brexit fever to abate over at The Daily Mash, a satirical news website which at one time could be relied upon to provoke laughs no matter which party or ideology was in the cross-hairs.

Sadly, judging by today’s latest effort, there is still no sign of remission:

EVERY country in the former British Empire has demanded Britain resume full political control now it has proven it is great again.

Australia, India, Canada, Egypt and South Africa, among a host of others, have all dissolved their governments in a show of awestruck admiration for the British lion’s newfound mighty roar.

Kenya’s president Uluru Kenyatta said: “We never wanted Britain to stop ruling us in the first place – why ever would we? – but you just needed to grab hold of your mojo again.

“Don’t worry about giving us voting rights or any of that nonsense. Now you are once again a proud, resurgent nation unafraid of political correctness, we have absolute trust you will act in our best interest. And the world’s.

“I step down this afternoon. Oh man, I hope we get Michael Gove as governor. That guy is the best.”

The UK now commands a fifth of the world’s population and one-quarter of its total habitable land, which is as it should be.

Retired headmistress Margaret Gerving, from Guildford, said: “I don’t know why America is insisting on being independent. I’m sure they’ll stop being silly eventually.”

Of course, this is just the tip of the iceberg. Since a clear majority of Britons voted to leave the European in the June 2016 referendum, the Mash has covered the topic of Brexit and our changing relationship with the European Union with the spittle-flecked fury and haughty, casual moral superiority of an earnest but ill-informed sixth-former.

Thus we have been treated to headlines such as these:

Uniting behind Brexit a bit hard if you think it’s shit – which includes quotes such as “I’ve always believed that Europeans are our friends with whom we no longer want to have wars. So it’s hard to change to seeing them as potentially hostile weirdos whose food is poisonous”. Because of course voting to leave a supranational political union could be motivated by nothing else.

All man wants for Christmas is Brexit – which tells the story of Roy Hobbs, who “d[oes] not care about presents underneath the Christmas tree, and he just wants Britain to stand alone, stronger than it had ever known”.

Relieved Britain no longer biggest f*ck-up of 2016 – in which a character declares: “For months we’ve been the world’s dumbest dickheads, and now we’re actually if anything a useful marker on the road to the total collapse of liberal democracy”.

May confirms Brexit is now a religious cult – in which the Mash’s version of Theresa May declares: “We will form small, inward-looking communities where anyone who criticises Brexit will be subjected to weeks of brainwashing or human sacrifice. I am the one true prophet of Brexit, which means everything I say is a fact, such as ‘Liam Fox is good at whatever it is he is supposed to be doing’. I call it ‘going the full David Koresh’.” That last line is a snide reference to the Waco siege, in which four federal agents and 76 cultists died.

Brexit optimism highest among people who love setting fire to things – in which one demonic Brexiteer exclaims: “All I want from life is to instill fear while cackling like a maniac, so I’m delighted that the government is finally listening to people like me”.

These are but a few examples, chosen more or less at random.

Does Brexit deserve to be made fun of? Absolutely – nothing should be off the table when it comes to political humour. But the Mash’s lazy bias does its satire-loving readers a disservice by nearly completely exempting the Remain side – who, after all, make up most of the establishment that satirical publications normally exist to mock – from any scrutiny of their own.

Imagine the EU referendum result had gone the other way, and Britain had narrowly voted to remain. We Brexiteers (myself included) would not have taken the result well, would be making our displeasure widely known and probably vowing to hold another referendum as soon as possible. But rather than skewering the victorious Remain side for their wide-eyed europhilia and naive trust in the Magical EU Reform Unicorn (or “punching up”, as we apparently now call the intersection between humour and power dynamics) the Mash would instead be quick to laugh at the angry, disappointed Leavers. No matter which way the result went, the Mash would be laughing at Brexiteers right now. And that is both biased and lazy.

Of course, many Brexiteers are vaguely ridiculous and lend themselves to humour, just as many Remainers are glib, shallow, sanctimonious and uninformed. But good satire would poke fun at the real faults of Brexiteers – our sometimes room-emptying obsession with matters of sovereignty, democracy and regulatory matters, for example. There’s lots of comic material in there, even if extracting it takes slightly more effort. Going for the “oh, they’re just hankering for the days of empire” gag (as per the article quoted at the top of this post) is a cheap laugh, and a lazy one.

What’s more, it is wrong. If you actually take the time to talk to Brexiteers, even much of the UKIP brigade, you won’t hear a hankering for empire or a desire to “turn the clock back”. These are rationalisations dreamed up by London-dwelling media types who never socialise with anyone who lives north of Watford and so cannot imagine what might really motivate a person to vote for Brexit.

What you will hear if you do talk to Brexiteers in any number is a strong distrust of political institutions, a sense of personal insecurity or economic precariousness and a sense that time, technology and political machinations have wrought huge changes on Britain with almost no proper discussion or debate. A sense that while we must keep moving forward, government for once needs to prioritise the interests of those who can’t or who don’t want to be citizens of the world rather than those who are able to use the world as their playground.

And if that seems difficult or unwise to mock, then perhaps it is worth questioning whether the Mash and the London-centric elite are spending too much time “punching down” at people they consider inferior rather than holding power (and what they might call “privilege”) to proper account.

Consider this old Daily Mash article from the dying days of the last Labour government, skewering prime minister Gordon Brown’s assertion that a cut in National Insurance tax would somehow be “taking money out of the economy”:

GORDON Brown will once again focus Labour’s election campaign on national insurance after being deafened by the collapse of his own argument.

Mr Brown’s advisers had urged him not to return to the issue, but the prime minister just nodded and smiled and said their voices had gone all dull and fuzzy.

The argument has been collapsing in stages since last week with the final section crashing to the ground in a massive cloud of dust and bits during the Today programme, just after eight o’clock this morning.

Radio Four listener Tom Logan said: “I was spooning some mephedrone into my tea and listening to John Humphrys being a shit, when all of sudden there was this huge, violent noise.

“It was so loud I thought it must be coming from outside, but then I realised it was the last part of the prime minister’s argument on national insurance smashing into the ground like it had been kicked over by a giant toddler.

“I do hope no-one was hurt apart from John Humphrys.”

Within minutes of the argument toppling over, Guardian editor Peter Mandelson was seen scrabbling over the smoking rubble and attempting to rebuild it while mumbling, ’employers know nothing about employing people’ over and over again.

Now, this is funny because it pokes fun at an actual trait of New Labour politicians – that rather paternalistic view that government really does know more about employing people than the employers themselves.

By contrast, the worn-out old stereotype of Brexiteers as scarlet-faced, tweed-bedecked retired colonels hankering after a bygone age is self-evidently false. It fails the common sense test – more than half of voters opted for Brexit, and there just aren’t enough retired colonels out there to deliver that kind of result.

But rather than actually take the time to understand Brexiteers and work out what makes them tick so as to better lampoon them (humour, after all, is always better when it is closely observational), publications like The Daily Mash sit back smugly and fall back on the familiar narrative of grumpy old men hankering for empire.

And that, of course, is their right. Nobody has to read The Daily Mash, and despite Britain’s increasingly tenuous commitment to free speech they can mock and lampoon whoever they like, as should be the case.

But how much better would their comedy be – how much wryer and punchier their humour – if the Mash writers actually took the time to really get to know a few more Brexiteers (so as to at least make fun of them for the right reasons), or even (heaven forfend) turn that caustic wit back on their own side once in a while?

 

Brexit Jokes

Top image: Alba White Wolf

Bottom image: catchnews.com

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Brexit Catastrophisation Watch, Part 9 – Another Song For Europe

The long-awaited follow-up single is finally here…

Madeleina Kay, an almost Vera Lynn-like character among disappointed Remainers, has released another classic ode to the EU, following up on her first hit, “All I Want For Christmas Is EU“.

This one is an adaptation of the Elvis Presley classic “Can’t Help Falling in Love”, re-engineered as a tearful plea from a contrite Britain for the European Union to take us back.

The immortal lyrics:

Wise men say
Only fools Vote Leave
‘Cause I can’t help falling in love with EU
Shall we stay
Would it be a sin
If we can’t help falling in love with EU?

Every Remainer knows
It’s a catastrophe
But Brexit rest assured
It’s not meant to be

Take my hand
Accept this apology
‘Cause I can’t help falling in love with EU

As the Ode to Joy from Beethoven’s Ninth Symphony has been co-opted to serve as the European Union’s anthem, let this effort – sung here with the sweet innocence of a child – become the EU equivalent of Parry’s “Jerusalem”, etched into the hearts of every European citizen and fondly sung on all those many euro-patriotic occasions which we have in common across the continent, and which are so important to us all.

Deep breath.

Think about the European Union for a moment. Think about what the EU actually is, how it was founded, how it deliberately grew by stealth, its deliberate corrosion of member state democracy and the impact that the outsourcing of government to a supra-national level has had on political engagement across an entire continent.

Think about the harm that the EU’s protectionist trade policies have wrought on developing nations without and on economic competitiveness within.

Think about the way that this hulking relic from the post-war era, totally lacking in popular legitimacy and unable to meet the challenges of the 21st century without inevitably making them immeasurably worse, grinds ever-onward towards its pre-ordained federalist destination, deaf to all opposition.

Then imagine writing not one, but two love songs to that organisation.

Just think about it for a moment.

The more I see of Kay’s output, the more I am starting to suspect that she may actually be a cunning Brexiteer, trolling the pro-EU Brexit-deniers from deep behind enemy lines.

If so, then she is doing an absolutely masterful job.

 

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Brexit Catastrophisation Watch, Part 8 – A Song For Europe

When all else fails, sing a song for Europe

From a Remainer perspective, the drawbacks and perils of honouring the unexpected EU referendum result and actually leaving the European Union, as demanded by the British people, are endless.

Already we have heard that Brexit will leave elderly people housebound and uncared for (though perhaps the old gits deserve it, for not appreciating the EU enough), prevent artists from collaborating across borders, herald the triumph of “post-factual politics”, endanger the nation’s fluffy kittens and lead to people being lynched for speaking German in London.

Given the harsh, fascistic dystopia in which EU supporters now find themselves, one might fully expect many of their number to feel depressed, hopeless, withdrawn and resigned to defeat. Not so, though. One woman is fighting back, through the medium of music. And her latest weapon is a cover of Mariah Carey’s classic, “All I Want For Christmas Is You”, reimagined as a wistful ode to the European Union.

The singer is one Madeleina Kay, an “an artist, writer, musician and social activist from Sheffield” who is “committed to using the arts to address important social and political issues and challenge destructive ingrained cultural attitudes”. Yes, she’s a Social Justice Warrior.

We’ll be generous and ignore the fact that the track Madeleina Kay hopes to make Christmas #1 sounds like a worn-out cassette recording of Zooey Deschanel’s inexplicably tone-deaf ghost playing on a battered Sony Walkman with dying batteries running at half speed deep underwater – let’s take a look at the lyrics:

I don’t want a lot for Christmas

There just one thing I need

I don’t care about the presents

In a country fuelled by greed

I just want for us to remain

Yeah, I want things to stay the same

Make my wish come true –

Baby all I want for Christmas is EU.

Because today’s generation of coddled, entitled millennials are actually profoundly conservative, inasmuch as they “want things to stay the same”, preserve and protect their own entitlements and value stability over opportunity.

A country fuelled by greed? Would that be the greed of young people brainwashed into believing that international travel and careers are possibly only through the munificence of the EU, and who then voted to Remain based purely on material concerns affecting them? The young people who claim to be citizens of the world but who make wretched citizens of their own country?

oooooh yeeeeah

I don’t want a lot for Christmas

Especially any new trade pacts, oh

I won’t be deceived by lies

I’m only concerned with the facts, oh

I don’t want my stocking filled with

A gift from Theresa May

Santa Claus won’t make me happy

With another border on Christmas Day

I just want for us to remain, etc.

And here is the customary allusion to the idea that Remainers voted in the EU referendum based on a high-minded, dispassionate review of the facts, basing their decision based on pure reason, while Brexiteers supposedly voted based on ignorant, racially-tinged superstition and emotion.

You and I may have blundered blindly into the voting booth, heads stuffed full of lies told by Boris Johnson and Nigel Farage, but Madeleina Kay and her Remainer friends painstakingly considered every piece of available evidence, every testimonial and every possible angle (economic, diplomatic, political, cultural and historical) before deciding that the European Union is just super, and that Britain should remain a member state forever.

And Kay clearly hates the Evil Tor-ees so much (more on that later) that she would refuse a gift from Theresa May if one were offered. We are clearly dealing with a young lady of great wisdom and principle here.

I won’t ask for much this Christmas

I won’t even ask Jeremy Corbyn to go

I just want to share the love so

I’ll wait beneath the mistletoe

I won’t make a list of demands

To send to Boris Johnson or Saint Nick

I won’t even try to chase away

Nigel Farage with a large stick, oh

For the sake of peace I will fight

Until we have seen the light

What more can I do?

Baby all I want for Christmas is you.

Okay, so Madeleina is a trendy lefty, but not of the Corbynista variety. Good to know. And it is also encouraging to know that the songstress intends to wage unrelenting war in the cause of “peace” – the peace that only the EU can give.

Oh the red bus driving

Spreading lies everywhere

And the sound of NHS patients’

Crying fills the air

And everyone is doubting

The lies they kept on shouting

Santa won’t you bring me the things I really need?

Like compassion, tolerance, multiculturalism

And a fair democracy?

Obligatory reference to Our Blessed NHS (genuflect)? Check.

Because of course every single patient in the NHS is lying in their hospital bed, their kidney transplant utterly dependent on the instant £350 million windfall that we all totally believed would land in our laps the moment we voted for Brexit, weeping at having been so cruelly betrayed by Vote Leave. And again, the only lies uttered in this campaign were those told by the official Leave campaign. Remainers possessed a virtuous monopoly on truth at all times.

And who can argue with Kay’s assertion that compassion and tolerance have been sucked out of Britain ever since the EU referendum? Personally, as a Brexiteer I delight in witnessing the suffering of others and adding to it wherever possible, and am incredibly intolerant of dissenting viewpoints, seeking to squash free speech, shame and intimidate people into fearful silence – quite the opposite of enlightened Remainers.

I don’t want a lot for Christmas

This is all I’m asking for

All my European friends singing

Stille Nacht outside my door

Oh I just want for us to remain

Yeah, I want things to stay the same

Make my wish come true

Baby all I want for Christmas is you.

Well, at least Madeleina correctly recognises that Germany is the dominant force within the European Union, that community of (ahem) equals based purely on “friendship” and “cooperation”.

But it gets better. It turns out that Madeleina Kay is also a rather prolific cartoonist, expressing many of her stridently superficial pro-EU sentiments through numerous political cartoons. Much of her artwork seems to channel a bizarre Wizard of Oz obsession, in which EU supporters are portrayed as childlike innocents while any conservative or pro-independence politician is generally depicted as a snarling, fanged monster (Theresa May becomes the Wicked Witch of the West):

And no prizes for guessing who this X-Files monster is supposed to be:

I am strangely drawn to Madeleina Kay’s art because it represents very simply and honestly the simplistic thinking of leftists and Remainers alike. When she draws winged demons snatching the “Future Opportunity”, “Life Chance” and “Hope” from helpless children, she reveals how leftists genuinely see the British people – as feeble lemmings in need of constant nurturing and support from government, utterly adrift when faced with separation from the European Union which seeks to be an auxiliary parent to us all.

So this is much less a criticism of Kay, and more an attack on the stunted, juvenile thinking of those politicians and commentators who frequently express in words the same ideas and sentiments that Madeleina renders in crayon. Kay, after all, is young and naive.

I myself was a drooling europhile in my student days only a decade ago, a committed euro-federalist with an EU flag adoring my university dorm room. Wider reading and real life experience eventually disabused me of these dangerous notions, and Madeleina Kay may yet go through a similar conversion and learn to put down the guitar and the Crayolas in pursuit of something more worthwhile.

But until then, at least we can sing along to “All I Want For Christmas Is EU” – either wholeheartedly or ironically, according to our position. And to be fair, it’s no worse than that ghastly, sycophantic NHS worship song we bizarrely saw fit to make Christmas #1 last year.

 

Postscript: Now you can buy anti-Brexit Christmas cards designed by Madeleina Kay. An essential purchase for all virtue-signalling Remainers who don’t have the first clue what the EU is or how it works, but who need to show their friends that they are very much against leaving.

 

Hat tip: Pete North

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Bottom Image 1: Madeleina Kay / Twitter

Bottom Image 2: Channel 4

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Remainers Are Trying To Rewrite History, Claiming Media Coverage Favoured The Leave Campaign

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Yes, the BBC let the public down with their spineless, uninquisitive EU referendum coverage. But this only benefited the Remain campaign, not the Brexiteers, and to suggest otherwise is absurd

Disappointed Remain activist Hugo Dixon takes to the pages of InFacts with with a sullen litany of the many ways in which the (ahem) notoriously eurosceptic television news media supposedly hindered the pro-EU camp’s chances and aided the fact-free Brexiteers at every turn.

Dixon writes:

The BBC has rightly been criticised for its weak referendum coverage. If the broadcaster had done a better job of challenging interviewees, informing the public and making room for a variety of viewpoints, voters would have had a better chance of sifting fact from fiction. The BBC, after all, dominates our news coverage: 77% of the public use it as a news source, according to Ofcom.

The most common criticism aired against the BBC is one of phoney balance – namely that it gave equal airtime to experts and their opponents’ unsubstantiated bluster. But this is probably not the most serious charge. After all, it would not have been fair to deny the two sides of the referendum equal airtime or to keep off the air campaigners who were telling fibs or spinning fantasy.

However, what the BBC could and should have done was grill its guests more vigorously – and make more space for coverage that didn’t fit into the tired Punch-and-Judy style battle between spokespeople put up by the two official campaigns.

There is a kernel of a sensible point in here. This blog has written numerous times that sensationalist or craven news coverage which merely allows two opposing talking heads to scream at each other without any effort to arbitrate or discern truth is a pox on our journalism – whether it is infecting the US presidential election or the EU referendum in Britain.

Dixon is also admirably on-point when he criticises the media’s reliance on the sanitised, focus-group approved  media grids of the two opposing lead campaign groups, effectively suggesting to their viewers that these incompetents and nepotism beneficiaries represented the full spectrum of eurosceptic and pro-European thought:

This wasn’t the BBC’s only failing. It also allowed too much of its coverage to become a Punch-and-Judy style battle between the official campaigns. The broadcaster, of course, had to give a lot of airtime to Vote Leave and Stronger In. But it allowed its coverage to be virtually dictated by their agendas.

I know the Remain side of the story better. Stronger In had a “grid”, on which it set out what stories it wanted to push on particular days and which people it wanted to push those messages. It coordinated this grid closely with Craig Oliver, David Cameron’s director of communications. Indeed, Stronger In was effectively in Number 10’s pocket. It rarely put forward people who weren’t on message with its Project Fear strategy.

The BBC should not have allowed itself to be manipulated in this way, particularly since it was aware of the potential problem. Its guidelines said: “Where there is a range of views or perspectives, that should be reflected appropriately during the campaign.” They went on to say: “The designated Campaign Groups – whilst offering spokespeople to programme-makers and other content producers – cannot dictate who should or who should not appear on BBC output.”

But the broadcaster didn’t do enough to resist the pressure. As a result, Downing Street and its puppets dominated the Remain camp’s share of airtime, and people who wanted to make a positive case for Britain’s involvement were edged out. Even Gordon Brown – who was trying to argue that we should lead Europe, not leave Europe – found it hard to be heard.

While Hugo Dixon’s heart wells over with sympathy for Gordon Brown’s inability to claim his fair share of the limelight, this blog would point to the many independent and non-aligned voices on the Brexit side who struggled to get a hearing of any kind, despite (in some cases) holding media events in the heart of Westminster under the very nose of the establishment.

So on both of these complaints, Dixon is on solid ground. But to go on and suggest that intellectually lazy journalism which impacted the Leave side every bit as much as the Remain campaign somehow decisively swung the outcome of the referendum is to venture into the realm of fantasy.

Dixon concludes:

For every such example, the BBC could presumably come up with a counter-example. But when its senior figures search their souls, do they really think they fulfilled their mission of informing and educating the public well during the referendum? And, if not, what are they going to do about it? How about an independent, public audit of how the BBC fared during the referendum backed up by recommendations on how to do better in future?

The world is not getting any simpler. Hard, honest thinking about how to cover often very complicated questions could stand the BBC in good stead. Audiences and license fee payers definitely deserve it.

The underlying assertion, carefully left unsaid, is that these various journalistic failures added up to a succession of “microbiases” which somehow cumulatively tipped the referendum result, and that if only BBC and other television news presenters had challenged guests and demanded more “facts” then the British people would have come to their senses and realised just how star-spangled awesome the European Union really is.

And maybe in an alternative universe that was the case – that there simply weren’t enough highly credentialed experts, both hysterical and sober, using abundant media platforms to lecture the British people that seeking freedom from the EU would be an unmitigated disaster.

Why oh why were these noble voices, these latter-day Cassandras so cruelly shut out of the national debate, swamped by a relentlessly pro-Brexit television media amplifying the Leave campaign’s monopoly on falsehoods and scaremongering?

But that’s not how I remember the EU referendum campaign.

Hugo Dixon inhabits an interesting parallel universe, and no doubt a comforting one for disappointed Remain campaigners so deeply invested in their failed euro-federalist dream. But it bears no resemblance to the real world, where the plucky, haphazard, incoherent and almost terminally disorganised Leave campaign triumphed against the arrayed forces of the establishment and a television news media which only amplified rather than diminished their influence in support of the status quo.

 

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