It’s The End Of The World As EU Know It

The Great European Disaster Movie BBC EU UKIP bias

 

Full review of the programme here.

You wait years for an apocalyptic mockumentary where Nigel Farage ushers in the end of western civilisation, and then two come along at once.

Hot on the heels of Channel 4’s alarmist and liberal bias-reinforcing docudrama “UKIP: The First 100 Days” comes a new offering from the BBC, with the sober and reflective title “The Great European Disaster Movie”.

As often happens with propaganda and political hit pieces, the BBC downplays the documentary as being thought-provoking and witty, falling back on the satire defence while revealing its true bias by never attempting to satirise the opposing side of the argument:

The film includes fictional scenes, set in a post-EU future, which feature archaeologist Charles Granda (played by Angus Deayton) travelling on a flight through a menacing storm, explaining to a child passenger what the EU was. Sombre, thought-provoking and witty, the film frames Europe through the eyes of those who have most at stake – the Europeans themselves.

The Daily Mail views this latest offering with natural scepticism:

An army of Islamic State terrorists has advanced to the outskirts of Vienna, Spain has cut off routes to Gibraltar and Nigel Farage – prime minister of ‘Great England’ – has deported all immigrants who have arrived in the past ten years.

This, according to the BBC, is what the world would be like if the European Union were to collapse.

The apocalyptic vision of a continent in which social order has broken down – to be screened on BBC4 tonight at 10pm – has been condemned by Eurosceptic critics as ‘scaremongering’.

Among the issues and contradictions apparently not explored in the documentary:

  1. Why European countries alone face economic ruin and civil unrest if they fail to pool their sovereignty and dilute their national identities
  2. How other geographical regions such as Asia and the Americas prosper without powerful, pan-national and undemocratic institutions, while Europe would face ruin without them
  3. Why UKIP would countenance the upheaval of deporting “all immigrants who arrived in the past ten years” when they have stated repeatedly and often that they favour a points-based immigration system that focuses on skills and quality
  4. Why the economic disruption caused by dismantling the European Union would lead to more anarchy and chaos on the streets than the EU’s calamitous policies, one-size-fits-all monetary policy and lack of democratic accountability are already causing every day

If you sincerely believe that the age of the nation state is over, that Britain is in no way special and cannot compete in the global economy in the same way as, say, Switzerland or South Korea, then fine. But own your position and make your case accordingly from that starting point, not by masquerading as a dispassionate observer with no political bias or financial interest.

More importantly, an organisation like the BBC, in receipt of billions of taxpayer pounds and under a mandate to inform and entertain the whole nation, must recognise that acting as a shill for pro-EU propaganda is incompatible with its founding mission and charter, and renounce all public funding so that it can become a full time political pressure group.

Once the short election campaign is underway everything will become a lot more restricted, and UKIP specifically will benefit from being afforded “major party status” and given the right of rebuttal and increased coverage on broadcast television news programmes.

But until then, expect a lot more hysteria and misinformation of this type, insidious propaganda presented as “just a bit of fun”.

This blog’s full review of “The Great European Disaster Movie” can be read here.

UKIP: The First 100 Days

UKIP The First 100 Days

 

If the Allegretto from Beethoven’s Symphony No. 7 starts to play in the background of the film or television programme you are watching, you can bet good money that something sad, terrible or otherwise wrenchingly significant is about to happen, if it isn’t already unfolding on screen.

What better piece of music to choose, then, when crafting the soundtrack for the scene in your fake documentary where a future UKIP government MP takes the stage at a conference to announce Britain’s tough new immigration policy?

One can guess the bias of Channel 4’s fictional UKIP: The First 100 Days by the mere fact that it was produced and shown on television at all. It continues a noble tradition of “what if” mockumentaries imagining what would happen if some terrible catastrophe were to befall Britain – a smallpox outbreak, major terrorist incident, and now, apparently, the election of Nigel Farage as Britain’s next Prime Minister. That the filmmakers consider a (thoroughly inconceivable) UKIP general election victory to be a calamity on the same scale as a global smallpox pandemic tells you everything you need to know when judging their level of impartiality.

In the opening montage, we are treated to the sight of a bald, white, working-class market trader casually referring to British Sikhs as one of “your lot” when greeting UKIP’s new Asian woman MP for Romford. Because that is just how all white working class people think and talk, rubes that they are, according to the received wisdom of the London-based middle class liberals who make these programmes.

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Exploiting Charlie Hebdo To Attack Civil Liberties

 

It is a dirty yet utterly predictable paradox that the terrorist attacks in Paris, which saw so many people flock to the banner of free speech, are even now being exploited by conniving politicians to crack down on our other, equally cherished civil liberties such as the right to privacy.

Once you have seen enough television news reports and read enough commentary to confirm and reinforce your entirely appropriate horror and outrage at the terrorist atrocities in Paris this week, therefore, it is well worth taking some more time out of your schedule to watch at least some of the video above.

Attempting to start a meaningful conversation about the root causes of Islamist terrorism is, apparently, highly unseemly and inappropriate so soon after an attack. And yet those who make this claim never explain why talking about the root causes of Islamist terrorism in its immediate aftermath is opportunistic and wrong, while conveniently it happens to be the perfect time for governments to demand sweeping, draconian new powers. And yet that is exactly what we now see.

As this blog recently noted:

https://twitter.com/SamHooper/status/553967074696265729

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Music For France

 

Maurice Ravel, Piano Concerto in G Major, 2nd Movement – Adagio Assai

Hélène Grimaud, piano

For the people of France on this solemn and reflective day.

Quote For The Day

 

“Every time you silence somebody you make yourself a prisoner of your own action, because you deny yourself the right to hear something.”

The late Christopher Hitchens, addressing an audience on the ever-important subject of freedom of speech.