Slate.com, in their critical role monitoring Fox News 24/7 so that the rest of us don’t have to, picked up on the fact that everyone’s favourite Fair & Balanced (TM) news network decided to mock recently-convicted whistleblower Chelsea (née Bradley) Manning’s decision to live the rest of her life as a woman, via the surreptitious medium of their “let’s go to commercial” music.
Fox News wasted little time weighing in on the Great Chelsea Manning Pronoun Debate. “I don’t do what Bradley Manning wants me to do,” America’s Newsroom host Gregg Jarrett declared last week, explaining why he had just repeatedly used masculine pronouns to describe Manning. But as you can see in the clip above, Jarrett’s friends at Fox & Friends took that stance to the extreme this morning by mocking the Army private by playing Aerosmith’s “Dude (Looks Like a Lady).”
It should come as no surprise to readers that the incident took place on that most highbrow and intellectual segment of the FNC’s lineup, Fox & Friends. But the slowness of the mainstream media in responding appropriately to Manning’s decision is not limited to Fox. As Slate points out:
Setting aside the absurdity of that clip for a second, it should be noted that Fox News isn’t the only major cable network to decide that it won’t respect Manning’s wish to live out the remainder of her life as a woman. CNN says that it won’t make the pronoun switch because Manning has “not yet taken any steps toward gender transition through surgery or hormone replacement therapy.” (It’s unclear why announcing her wish to “begin hormone therapy as soon as possible” doesn’t count as such a step.)
But who can expect anything more from a so-called news network (CNN) that considers the twerking abilities of Miley Cyrus more newsworthy than the unfolding crisis in Syria?
Sadly, this is not the first time that this blog has felt compelled to cover the inexplicable need for US news channels to make their broadcasts more palatable to a dumbed-down audience by injecting them with lively, and (almost always) inappropriate musical excerpts. As I wrote last time:
Since CNN has probably already haemmoraged most of it’s wavering audience to Fox or MSNBC, why not quit catering to that tiny remaining sliver of their viewers who need their news to be lubricated with frequent doses of perky music, and just…y’know…report the news?
Amusing Find Of The Day can be read here, courtesy of John Scalzi. Scalzi takes exception to being called a “feminist” by an internet troll who clearly imagines the word to be some kind of devastating insult, and unleashes a volley of rhetorical and pictorial whoop-ass in response. There’s not much coming back from this, really. I mean, the dude owns a lot of land, and a big house. Plus, he isn’t an anti-progressive, misogynist troglodyte. So he has that going for him, too.
Over the weekend, some dudebro with a history of shitting on women took this picture of me (which you may remember from here) and meme-ized it, with the intent, given his personal history and predilections, of mocking me — both for my views as regards women, and for wearing a dress.
Well, this dudebro clearly knows his way to this site, where the picture was originally posted, by me, so let me go ahead and address him directly.
Dudebro: Let me detail for you the various ways this picture has utterly failed you as an attempt to ridicule me.
One: This picture was taken as a result of a dare, to wit: if people on Twitter pledged $500 to the Clarion Foundation in a half hour, I would take a picture of myself in a regency dress, of which there just happened to be one in the house because…
Jamie Oliver is, generally speaking, a great force for good in British society.
His campaign to coax, cajole or bully local authorities into serving more nutritious school meals was a great example of non-government-inspired citizen activism (and Lord knows we need more of that in today’s Britain, where nearly everyone instinctively turns to the government for solutions to everything), and his television shows (starting with The Naked Chef) and books helped to breathe a breath of fresh air into what at the time was a somewhat stale genre.
But today, Oliver seems to be in the press for less auspicious reasons – namely, his holding forth on the problem of poor nutrition and overconsumption of junk food among the poorer people and families in society. The Telegraph reports:
The celebrity chef, who was enlisted by the Labour Government to improve the quality of school meals, has now rounded on the British working class diet.
Oliver recalled being appalled by the diet of a British family who lived on a diet of junk food, but still had the money for consumer goods.
“You might remember that scene in Ministry Of Food, with the mum and the kid eating chips and cheese out of styrofoam containers, and behind them is a massive TV. It just didn’t weigh up,” he said.
“The fascinating thing for me is that seven times out of 10, the poorest families in this country choose the most expensive way to hydrate and feed their families. The ready meals, the convenience foods.”
Oliver contrasts this observation with his experience of “economically deprived” people in other countries, such as Italy, where people apparently still enjoy a varied, healthy diet despite their circumstances. He seems bemused by this contradiction (apparently choosing to overlook such factors as different attitudes to work/life balance and family life between the UK and the southern European nations that he lauds).
All you need to make a delicious, nutritious family meal
Indeed, the Telegraph aludes to this very point when they quote Oliver:
“I meet people who say, ‘You don’t understand what it’s like.’ I just want to hug them and teleport them to the Sicilian street cleaner who has 25 mussels, 10 cherry tomatoes, and a packet of spaghetti for 60 pence, and knocks out the most amazing pasta,” said Oliver, 38, whose own wealth is estimated at £150 million.
Quite.
While I see this as merely a somewhat misguided intervention by Oliver – borne of the fact that his knowledge of good food and nutrition probably vastly outstrips his knowledge of the economic and social forces at work that do so much to determine family eating habits – Mic Wright, also writing in The Telegraph, takes a somewhat dimmer view:
Oliver comes from the same school of thinking as the most banal of modern politicians. He sees simple solutions where there are complex problems. He believes that the state can fix everything and that right-thinking men like him should have more power to make the working class see the error of their ways.
And, like the best part-time proselytisers, he assures us that he knows the pain of the poor: “I’m not judgmental but I’ve spent a lot of time in poor communities and I find it quite hard to talk about modern-day poverty.” Popping in to film a TV programme or capitalise on a photo opportunity is not experiencing poverty. It is, as the Sex Pistols sang about trips to East Berlin, a holiday in someone else’s misery.
Fair point, to a degree. Oliver has spent a lot of on-screen time talking to and interacting with people scraping by on the lower end of the income scale – I always think of the moving scenes in “Jamie’s America” where he cooked with a young Hispanic Los Angeles native, Rigo, empathised with his troubled upbringing and learned to cook some decent Mexican food – but this does not make him an expert on balancing the budget or managing the schedule of a poorer family, day-in and day-out.
When you “spen[d] a lot of time in poor communities” filming a TV cooking show, you generally aren’t there for the weekly or daily grocery shop, which may often come at the end of a backbreaking day of hard work, to be followed by an evening looking after a young family. You may not appreciate the limited culinary options available to the family without a car or easy access to public transportation, whose only local option is a small convenience store specialising in heavily processed junk food and ready meals at the expense of fresh fruit and vegetables.
But the kicker for me was this excerpt and analysis of Oliver’s thoughts, this time from The Guardian:
“One of the other things we look at in the series is going to your local market, which is cheaper anyway, but also they don’t dictate size,” Oliver said. “From a supermarket you’re going to buy a 200g bag of this or a 400g pack of that. If you’re going past a market, you can just grab 10 mange tout for dinner that night, and you don’t waste anything.”
He also urged people to look overseas to learn how to eat well on a limited budget. “Some of the most inspirational food in the world comes from areas where people are financially challenged. The flavour comes from a cheap cut of meat, or something that’s slow-cooked, or an amazing texture’s been made out of leftover stale bread,” said Oliver, who was promoting his new Channel 4 series, Jamie’s Money Saving Meals.
“I meet people who say, ‘You don’t understand what it’s like.’ I just want to hug them and teleport them to the Sicilian street cleaner who has 25 mussels, 10 cherry tomatoes, and a packet of spaghetti for 60 pence, and knocks out the most amazing pasta. You go to Italy or Spain and they eat well on not much money. We’ve missed out on that in Britain, somehow.”
Right. The friendly local farmer’s market that we all have time to browse through on our way home from work or picking the kids up from school. And the slow-cooked meals that we can lovingly tend to all day while we aren’t out earning a living.
This is the crux of my problem with Jamie Oliver, much as I admire him and consume his TV shows and some of his recipe books – he is able to envision eating well on a budget only as himself, with his vast knowledge of how to source fresh ingredients and combine them in tasty ways, and with his reserves of free time to purchase these ingredients and make these healthy meals. It is this same lack of self-awareness that enables him to publish a book called “Jamie’s 30 Minute Meals”, a volume full of wonderful recipes but whose realistic time to make (once you have factored in the preparation, cooking time for a non-professional, and cleanup) stretches into the hours, not the promised minutes.
That is not to say that Jamie Oliver’s intervention is unhelpful. It is true that it can often be cheaper to bulk buy goods such as rice and pasta, and source fresh meat, fruit and vegetables, than it is to subsist on a diet of ready meals and fast food. If you have the knowledge, time and inclination to do so.
Oliver’s new television show, “Jamie’s Money Saving Meals”, will certainly help to tackle the knowledge part of the equation. But until he appreciates that the equally important countervailing forces of time and deeply ingrained social factors remain stacked against the poor, he will sadly continue to be frustrated in his efforts.
Following on from my earlier rant about ludicrous and archaic regional restrictions on downloadable and streaming media, The Telegraph has an interesting piece looking at the future viability of the television industry as a whole.
They focus on a recent speech given by Kevin Spacey where he discusses how the TV industry (particularly in the USA) must adapt and break away from the pilot -> probationary season model that squashes innovation and sees too many potentially good shows canceled before they have the opportunity to properly establish themselves. Key excerpts of the speech are here:
Giving the MacTaggart lecture at the Edinburgh International Television Festival, the American actor called on the industry to take advantage of massive interest in boxsets and cult dramas such as Breaking Bad to take more risks and have patience with shows that are not instant hits.
Mr Spacey said: “[In 1990] the film industry didn’t believe that television could ever become its biggest competitor. I do not think anyone today 15 years later – [in terms of character driven drama] can argue that television has not indeed taken over.
“The warp-speed of technological advancement – the internet, streaming, multi-platforming – happens to have coincided with the recognition of TV as an art form.
“So you have this incredible confluence of a medium coming into its own just as the technology for that medium is drastically shifting. Studios and networks who ignore either shift – whether the increasing sophistication of storytelling, or the constantly shifting sands of technological advancement – will be left behind.”
All very true. And as we have seen with the industry’s laggardly response in coming to terms with a globalised audience unwilling to accept phased release dates and geographically restricted online access, television does not appear primed to address these challenges.
Spacey continues, with reference to his recent remake of the British political thriller “House of Cards”, which was wildly popular and released as a downloadable “box set” on NetFlix rather than in serial form via one of the traditional broadcast networks:
“If someone can watch an entire season of a TV series in one day, doesn’t that show an incredible attention span? We must observe, adapt and try new things to discover appetites we didn’t know were there.”
This last point really hits the nail on the head. Just as consumers no longer have to flick through a meagre three or four grainy broadcast network channels to get their television fix, neither do they want to consume their favourite shows in one hour increments, dosed out at weekly intervals by the paternalistic TV networks. It is for this reason that TV series “bingeing” has become a phenomena, with many people (myself included) preferring to watch five or six episodes of a favourite show in one sitting, as I have done with Game of Thrones, House of Cards and many others.
The longer that the television industry remains obdurate and inconsiderate of this shift in consumer sentiment and behaviour, the more they will continue to lose out to other business models (such as the NetFlix downloadable series model) and video piracy.
It has never been easier to find episodes of your favourite television show for free, hosted on anonymous websites of dubious legality. The television industry would do well to remember this as they continue to erect more and more bureaucratic and legal obstacles between the consumer and the media that they want to consume.
The full transcript of Kevin Spacey’s lecture can be read here.
So apparently some crazy stuff went down at the VMAs last night. Something about Miley Cyrus gyrating inappropriately, Justin Timberlake reuniting with the Backstreet Boys (or is it ‘NSync?) and all manner of Hollywood elite naughtiness that promised to both amuse and titillate the audience.
I know this because various websites that I read to pass the time – Buzzfeed, Slate, et al. – have been writing and posting articles about the VMA shenanigans throughout the day. The format of said articles (and this doesn’t just apply to the VMAs, but about more or less anything that happens in America) generally follows this pattern:
1. EYE-CATCHING HEADLINE
2. FERVENT ASSURANCE THAT I REALLY WANT TO READ THIS STORY
3. BREATHLESS PARAGRAPH FILLING ME IN ON THE SCANDALOUS DETAILS
4. EMBEDDED VIDEO OF SAID SCANDALOUS HAPPENING IN ALL ITS SALACIOUS GLORY
5. THE “WASN’T THAT SH*T CRAZY?” PERORATION
Only I happen to live in the United Kingdom. Which means that the whole process falls apart when I reach Step 4. Instead of seeing the embedded video (from YouTube, or MTV, or Comedy Central or whoever the hell else), I get this:
4. SORRY, THIS VIDEO IS NOT VIEWABLE FROM YOUR CRAPPY THIRD WORLD COUNTRY. SUCK IT.
Thanks, Slate.com for linking to a video that only 4.45% of the world’s population can watch
But – and here’s the kicker – not before they make me sit through the obligatory 30-second commercial for J-Lo’s latest crappy perfume or whatever other shoddily-conceived and made wares that they want me to purchase. As a result, for viewers that God has chosen to curse by not conveniently placing them within the contiguous 48 states of the USA, Step 5 then becomes this:
5. WASN’T THAT GREAT THING THAT YOU DON’T GET TO SEE REALLY AWESOME?
I wouldn’t know, would I? I wouldn’t bloody know.
Comedy Central at least tries to be amusing about the fact that their bloodsucking intellectual property lawyers want to extinguish any last drop of enjoyment that I might possibly derive from their shows:
Even Colbert is in on the heinous conspiracy
But somehow this lame attempt at humour just makes it all the worse.
And no, it isn’t one of the “detriments of living under a monarchy”. It is one of the detriments of living in a modern digital age still governed by dinosaurs and fossils from a previous era who seriously think that today’s web-savvy, enlightened global consumer will put up with their bullshit and tolerate a smug, scornful, condescendingly second-class service.
And the fact that many such content providers, such as Comedy Central above, offer to redirect you to “your local country website” – which is, without exception, massively inferior to the US version in every way, from design to content – merely rubs additional salt into the wound.
THIS IS WHY INTERNET PIRACY HAPPENS. THIS. RIGHT HERE.
Do the suits seriously think that I am going to shrug my shoulders and hop on a plane to the US of A so that I can watch their two-minute-long, mildly entertaining video clip, or else sorrowfully abstain from ever viewing it?
No. In my rage, I will turn to Google and hammer out a stream-of-consciousness search request into my long-suffering keyboard, and fifty websites of dubious legality will instantly offer to show me the same goddamn video clip, without asking me to move continents, kill my firstborn son or jump through a fiery hoop.
The bottom line is that I get to watch the thing that I wanted to see. Semi-Partisan Sam wins. Always. In fact, the only people who lose out are the blood-sucking corporations who tried to throw pathetic, unenforceable legal obstacles in my path, and – sadly – the content creators, who would have materially benefited had I been able to watch on the official site, maybe sit through a couple more ads, and even make a purchase from the online store once in a blue moon.
But I don’t expect much from the likes of ViaCom-NBC-Universal-CBS-Fox-MediaTron-Gargamel-Corp.
It would be nice, however, if the news and entertainment websites that I frequent – respectable websites and publications that should know that much of their readership originates from outside the continental USA and does not appreciate being titillated with the promise of content that they cannot watch – smartened their act up and linked to sources that do not enforce petty, control-freakish regional access restrictions (or at least pressured content providers to stop their errant ways for the good of humanity).
Henceforth, I will be naming and shaming any site that falls short of this entirely reasonable standard of behaviour on this blog.