I strongly encourage all readers with an interest in classical music to read this account of the history of Shostakovich’s Seventh Symphony (“Leningrad”) and to watch the linked videos – a fascinating article about an iconic piece of music.
Stephen Walsh praises Brian Moynahan’s Leningrad, a book on how the siege of the city influenced the work of composer Dmitri Shostakovich:
Shostakovich, a native of Leningrad/St Petersburg, was in the city for the first few weeks of the siege, and by the time he was flown out in early October 1941 he had composed the bulk of three movements of his Seventh Symphony. He already saw it as a symbol of the city’s defiance, and in Moscow he told an interviewer: ‘In the finale, I want to describe a beautiful future time when the enemy will have been defeated.’
It had become a Leningrad Symphony in all but name. Its composer had been photographed on the roof of the Conservatoire in a fireman’s outfit hosing down a (non-existent) conflagration. Now, in his absence, Leningraders struggled to concerts played by emaciated, half-dead musicians in freezing halls. Music had become an…
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